Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Francois-Hubert Drouais
Charles of France and his sister Clotilde

ID: 80442

Francois-Hubert Drouais Charles of France and his sister Clotilde
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Francois-Hubert Drouais Charles of France and his sister Clotilde


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Francois-Hubert Drouais

Paris 1727-Rome 1775 was a French painter and Jean-Germain Drouais's father. He specialized in portraits, some of which include Louis XV's last two mistresses, Madame de Pompadour and Madame du Barry respectively. He even painted the young Marie Antoinette.   Related Paintings of Francois-Hubert Drouais :. | Count of Vaudreuil in | Lady Amelia Darcy, 9th Baroness Conyers | previously wrongly called Madame Sophie de France | Portrait of | Portrait of marquis de Briges, aged 7 |
Related Artists:
Domenico di Pace Beccafumi
(1486?CMay 18, 1551) was an Italian Renaissance-Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting. Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school.
Antonio Munoz Degrain
Spanish , Valencia, 1840 - M - laga, 1924
ALSLOOT, Denis van
Flemish painter (b. 1570, Mechlin, d. 1628, Bruxelles) He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London). At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella. Hendrick de Clerck painted sometimes the people in his works. Van Alsloot's work can be regarded as a precursor to modern Landscape art.






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